Without Beginning or End — The Trans-Temporal Art of Yeachin Tsai

October 31, 2017By yeachintsaifineartessay, Review

Tsai’s lines—whether circular or straight—move. While literally static on the paper, they contain within them the energy of the artist’s gesture as they endlessly redraw themselves before the viewer. The two major traditions which inform Tsai’s work—traditional Chinese calligraphy and painting and modern abstraction—share an important kinesthetic ground. Critic Harold Rosenberg’s description of Abstract Expressionism … Read More